File: Art critic Brian Sewell poses for a portrait shoot in London, Nov. 12, 2004. (Photo by Donald Maclellan/Getty Images) As the London Standard rebrands and launches the first issue of its now ...

A.I. Brian Sewell fills most of a page and is superficially engaging. But to my mind, this means that it clears one low bar only to trip over another, obvious low bar.

Brian Sewell looks like a ghost. Standing on the porch of his huge Edwardian house in Wimbledon as the winter sun sets, he seems to shine in the gloom.

Brian Sewell, who has died aged 84, first came before the public as the loyal friend of Anthony Blunt when that traitor was publicly exposed in 1979; his celebrity, however, began when he was ...

Without Brian Sewell the world of art journalism will be considerably more quiet, bland and dull, and I am afraid that many will prefer it that way. Personally, I will miss him a lot.” ...

Brian Sewell is back—sort of. The viper-tongued art critic left a trail of artists and curators seething and teary-eyed during his three-decade reign as art critic at London's The Evening Standard .

Brian Sewell: Critic both loved and cursed for his insistence that most – though not all – modern art is rubbish ‘When not reviewing my exhibitions, Mr Sewell can be sweet,’ wrote Grayson ...

He was a regular on British television, fronting documentaries including 2005's Brian Sewell's Grand Tour, in which he journeyed through Italy for Paramount-owned Channel 5.

There’s little doubt that Brian Sewell (1931–2015) — who passed away on Saturday — was Britain’s best-known art critic. Those who didn’t know his name recognized him as the television ...

Whether describing his mother, the Blunt Affair, his beloved dogs or his sexual appetite, the Evening Standard’s art critic, Brian Sewell, who died on Saturday, never held back — as these ...

Brian Sewell’s much loved Old Master work by Matthias Stomer Blowing Hot, Blowing Cold (estimate £400,000 – £600,000). Courtesy Christie’s London.

For the first issue in its new weekly print edition, the London Standard has run an experiment in the form of an AI-generated review of the National Gallery's Van Gogh: Poets and Lovers exhibition ...