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Suzannah Lessard is Contributor on The New Yorker. Read Suzannah Lessard's bio and get latest news stories and articles. Connect with users and join the conversation at The New Yorker.
In recent years, an irresistibly intuitive hypothesis has both salved and fuelled parental anxieties: it’s the phones.
Is a River Alive?, by Robert Macfarlane (Norton). Rivers in Ecuador, India, and Canada provide the settings for this elegant travelogue, which asks whether a natural entity, such as a river, can be ...
“I’m ready for the exciting last thirty seconds of the basketball game which stretch into twenty-five minutes of fouls, time-outs, and commercials.” A drawing that riffs on the latest news and ...
A uniformed police officer stands sideways, his head turned to face us. His eyes are unnaturally close together, rendered by the artist as two black dots floating in the very center of his face. He ...
Out of interest, could this be the best beginning to the sixth chapter of any book, by anyone, ever? The girl with the stringy blond hair over her shoulders and the trading beads and the black ...
The recent reopening of the Metropolitan Museum’s Michael C. Rockefeller Wing—a spectacular treasury of art from Africa, Oceania, and the Americas—was fortuitously timed. The renovation, which cost ...
To celebrate its centenary, The New Yorker invited fiction writers to contribute stories inspired by works from the archive, then to explain why those works inspired them. Sign up to receive the ...
singleness. Nothing is a part of the whole we are a part of. Published in the print edition of the July 7 & 14, 2025, issue. Jorie Graham teaches at Harvard. Her books include the poetry collection ...
To celebrate its centenary, The New Yorker invited fiction writers to contribute stories inspired by works from the archive, then to explain why those works inspired them. Sign up to receive the ...
Several months before the first issue of The New Yorker appeared, Harold Ross’s fund-raising prospectus promised, along with much else, that “Judgment will be passed upon new books of consequence.” ...
In the nineteen-fifties, Joe Papp, the founder of the Public Theatre, would travel the five boroughs with a flatbed trailer hitched to a garbage truck, offering free Shakespeare to all New Yorkers.